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reflection : credits
HorizonZero 13: Perform: the stage is everywhere
January/February 2004
Produced by the Banff New Media Institute in collaboration
with the Culture.ca gateway.
HorizonZero
HorizonZero is produced by the Banff New Media Institute in collaboration
with the Culture.ca gateway.
Editor-in-Chief
Sara Diamond
Director
Martha Ladly
Executive Producer
Susan Kennard
Producer
Sandra Dametto
Line Producer
Cindy Schatkoski
English Editor
Angus Leech
French Editor
Sylvie Parent
Interactive Designer
Jeff Dawson
Jenny San Martin
Senior Graphic Designer
Myron Campbell
Technical Lead
Lisa Betterton
HorizonZero 13 :
Perform : the stage is everywhere
January/February 2004
Site Audio
Myron Campbell
1-Minute Web Cam Cabaret
Produced by HorizonZero and High Performance Rodeo in collaboration
with the Society for Arts and Technology (SAT) in Montreal
Calgary Event Host
André Rodrigues
Calgary Performers
Jennifer Andersen
Samuel Garrigo Meza
Jeremiah John
Frances Kruk
Diego Medina
Sheri-D Wilson
Calgary Crew
Lisa Betterton, HorizonZero Web site Administrator
Sandra Dametto, Camera Operator
Ryan Johnston, Network Administrator
Angus Leech, Talent Assistant
Tom Montvila, Stage Manager & Videonics
Mike Pelletier, Computer Operator
Myron Campbell, Production Assistant
Frank Gallant, House Technician, One Yellow Rabbit
Special Thanks to OYR
Michael Green
Daiva Jocius
Kirk Miles
Ian Wilson
Special thanks also to Patricia Robertson
Montreal Event Host
Valérie Lamontagne
Montreal Performers
Pierre Beaudoin
Katarina Soukup & Jayson Kunuk
Michelle Kasprzak
VJ Pillow & James Duhamel
K-project
Montreal Crew
Franz Hildgen, Streaming Manager
Simon Piette, Network Administrator
Yves Deschênes, Technical Director
Joseph Lefèvre, Video Mixing
Jean Michel Dumas, Sound Engineer
Martin Chartrand, Production Manager
Namai Khampo, Camera
Special Thanks to the SAT
Monique Savoie
Martin Chartrand
Hugues Monfroy
Virtually Vaudeville
Ablakela courtesy of Dana Claxton
Music by peyote singers Johnny Mike & Verdall Primeaux, Special Thanks to the
Grunt Gallery: Glen Alteen, Jay Thompson
El-Mareas courtesy of K-project. Music by Juanself
Julie in the Box courtesy of Julie-C. Fortier
Lesbian National Parks and Services: A Force of Nature courtesy of Shawna Dempsey and Lorri Millan
Special Thanks to Video Pool: Gabriel Schroedter
Tango from the CD/book Exploding Head Man by Ian Ferrier (Planete
rebelle, 2000) courtesy of Ian Ferrier. Vocals and verse by Ian Ferrier, Guitar
and composition by Sam Shalabi, Bass by André Asselin, Tablas by Will
Eizlini, Percussion by Jay Scodnick. Recorded at DNA Studios by Andrew Frank,
Produced by Andrew Frank and Ian Ferrier.
The Stage is Everywhere
Avatara courtesy of 536 (Donato Mancini, Jeremy Turner, with Patrick "Flick" Harrison)
Chiasma courtesy of Rebecca Belmore
Special Thanks to the Grunt Gallery: Glen Alteen, Jay Thompson
Mario's Furniture courtesy of S.E. Barnet & Hillary Mushkin
Repubocracy video clip from The Roman Forum Project courtesy of Antoinette LaFarge and Robert Allen.
Virtual Live text excerpt reprinted with the expressed written permission of Antoinette LaFarge and Robert Allen, subject to the original copyright
Sister Valérie of the Internet courtesy of Valérie Lamontagne
VJ Fleet courtesy of Julie Andreyev
Horizontal
AFK by Isabelle Jenniches & Michelle Teran
Re-takes
Performance Art and the Native Artist, by Aiyyana Maracle, in: Brice
Canyon (ed.), Live at the End of the Century: Aspects of Performance Art
in Vancouver. Excerpt reprinted courtesy of Glen Alteen, Grunt Gallery.
Théâtre et spectacle vivant : Création théâtrale et technologie numérique,
by Franck Bauchard. Excerpt courtesy of labART, CirEN Université Paris 8.
Welcome to Electronic Café International, by Kit Galloway and Sherrie
Rabinowitz, in: Linda Jacobson (ed.), Cyberarts: Exploring Art and Technology.
Excerpt courtesy of Backbeat Books
A World Exhilarating and Wrong: Theatrical Improvisation on the Internet,
by Antoinette LaFarge. Excerpt courtesy of Pamela Grant-Ryan, Managing Editor,
LEONARDO online magazine.
Technology and Intuition: A Love Story? Roy Ascott's Telematic Embrace,
by Edward A. Shanken. Excerpt courtesy of Pamela Grant-Ryan, Managing Editor,
LEONARDO online magazine.
Man or Machine? Forging Humanness in Contemporary Dance, by Naomi M.
Jackson, in: Brian Webb (ed.), The Responsive Body: A Language of Contemporary
Dance. Excerpt courtesy of Banff Centre Press.
FAQ, Plaintext Players Web site: http://yin.arts.uci.edu/~players,
written by Antoinette LaFarge. Excerpt courtesy of Antionette LaFarge.
Images numériques, l'aventure du regard, by Sally Jane Norman, in:
Les avatars de la scène numérique. Excerpt courtesy of École régionale des
beaux-arts de Rennes.
Learning How To Kill, by Karla Ptacek, www.avatarbodycollision.org.
Excerpt courtesy of Karla Ptacek.
Au-delà de l'illusion du corps de substitution, l'avatar caractère d'une
écriture interactive, by Isabelle Rieusset-Lemarié. Excerpt courtesy of
anomalie : digital arts.
Clicking for Godot, by Scott Rosenberg. Excerpt courtesy of Scott Rosenberg,
Salon.com.
Interactive Characters: Communication and Drama in Digital Media, by
Leena Saarinen. Excerpt courtesy of Leena Saarinen
Drama and the Digital Domain, by Mika Tuomola, in: Digital Creativity,
Vol. 10, No. 3, 1999. Excerpt courtesy of Swets and Zeitlinger.
Articles:
Writers
Sara Diamond
Angus Leech
Sylvie Parent
Translators
English
Timothy Barnard
French
Sophie Campbell
Danielle Henripin
Yves Lanthier
Sylvie Parent
Copy Editors
English
Angus Leech
French
Émery Brunet
Proof Readers
English
Angus Leech
French
Dominiq Vincent
The Banff Centre
President and CEO
Mary Hofstetter
Senior Vice-President, Programming
Joanne Morrow
Director, Information and Technology Services
April Kintzel
Director of Operations, Media and Visual Arts
Luke Azevedo
Arts Marketing Officer
Heather Belot
Canadian Heritage
Director General, eServices
Mostafa Zommo
Director, Culture.ca
Vladimir Skok
Director General, Canadian Culture Online
Ted Bairstow
Legal Services
Christene Hirschfeld of Boyne Clarke, Barristers
and Solicitors
© 2004 The Banff Centre
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